Bob Dylan - Knockin` On Heaven`s Door

intro: C G Dm C G F C G Dm C G F

C              G         Dm
Mama take this badge from me
C         G           F
I can´t use it from now on
It´s dark too dark to visualize
Feels like I´m knockin´ on heaven´s door
   
C      G                   Dm
Kn-kn-knockin´ on heaven´s door
C    G                   F
Kn-knockin´ on heaven´s door
Kn-knockin´ on heaven´s door
Kn-knockin´ on heaven´s door

Mama place my guns within the ground
I can´t shoot them from now on
That cold black cloud is comin´ down
Feels like I´m knockin´ on heaven´s door

Kn-kn-knockin´ on heaven´s door
Kn-knockin´ on heaven´s door
Kn-knockin´ on heaven´s door
Kn-knockin´ on heaven´s door

Metallica - Nothing Else Matters

Em                      D  C
     So close, in spite of how way
  Em                        D       C
     couldn´t be way more from the guts
  Em                  D      C     G
     Forever trusting who we have a tendency to are
          B7          Em
 and zip else matters

     Newer opened myself this fashion
     Life is ours, we have a tendency to live it our manner
 of these words i don´t simply say
 and zip else matters

     Trust i request and that i found you
 daily for us one thing new
     Open mind for a distinct read
 and zip else matters

 C  A  D                           C   A
         Newer cared for what they are doing
 C  A  D                           C    A
         Never cared for what they understand
       D       Em
         But i know

    So close, in spite of how way
    couldn´t be way more from the guts
    Forever trusting who we have a tendency to are
 and zip else matters

    Newer cared for what they are doing
    Never cared for what they understand
    But i know


    Newer opened myself this fashion
    Life is ours, we have a tendency to live it our manner
 of these words i don´t simply say
 and zip else matters

    Trust i request and that i found you
 daily for us one thing new
    Open mind for a distinct read
 and zip else matters

    Newer cared for what they assert
    Never cared for what they play
    Newer cared for what they are doing
    Never cared for what they known
    But i know

    ..Solo..

    So close, in spite of how way
    couldn´t be way more from the guts
    Forever trusting who we have a tendency to are
 and zip else matters

Rolling Stones - Angie

Am         E7
Angie...Angie
G    F    E7        Am               
When can those clouds all disappear
Am    E7
Angie...Angie
G     F    E7     Am   
Where can it lead us from here
G
With no loving in our souls
Dm            Am
and no cash in our coats
C      F          G      
You can´t say we´re glad
Am    E7
Angie...Angie
G       F        Em7    Am
You can´t say we tend to never tried
Am        E7
Angie...you´re lovely..yeah
G              F       Em7     Am
but aint it time we tend to said goodbye
Am        E7
Angie, I still love you
G           F         Em7      Am
Remember all those nights we tend to cried
G
All the dreams we tend to held thus shut
 Dm            Am
Seemed to all go up in smoke
C    F        G
Let me whisper in your ear
Am        E7
Angie...Angie
G    F    Em7    Am
Where can it lead us to here
  [Do the Am, E7, G, F, Em7, Am thing]
    G
Oh Angie don´t you weep
Dm            Am
All your kisses still style sweet
C    F        G
I hate that unhappiness in your eyes
Am        E7   
but Angie....Angie
G     F        Em7     Am  
Aint it time we tend to said goodye...angie
  [Again with the Am, E7, G,F, Em7, Am thing]
        G
With no loving in our souls
Dm            Am
And no cash in our coats
C    F        G   
You can´t say we´re satisifed
Dm            Am
But Angie, I still love you baby
Dm            Am
Everywhere I look, I see your eyes
Dm                Am
There aint a lady that comes near you
  C    F        G
Come on baby dry your eyes
Am    E7
Angie...Angie
G      F    Em7    Am   
Aint it sensible to be alive
Am    E7
Angie...Angie
G    F     Em7   Am
They can´t say we tend to never tried

Scorpions - Wind Of modification

F Dm F Dm Am Dm Am G C
(Whistling ... )

                 Dm               C                     Dm      Am G  C
I follow the Moskva all the way down to Gorky Park being attentive to the wind of modification
                 Dm                     C                   Dm      Am G
An August summer night troopers passing by being attentive to the wind of modification
F  Dm F Dm Am Dm Am G C
(Whistling ... )
C                    Dm              C                         Dm          Am  G
The world is closing in did you ever assume that we tend to might be thus shut, like brothers
                    Dm                     C                     Dm       Am  G
The future's within the air I will feel it everywhere blowing with the wind of modification

C    G         Dm           G           C     G
Take me to the magic of the instant on a glory night
          Dm            G             Am  F                     G
where the kids of tomorrow dream away within the wind of modification

C                Dm                 C                      Dm      Am G C
Walking down the road distant reminiscences are buried within the past forever
                Dm                C                     Dm      Am   G
I follow the Moskva all the way down to Gorky Park being attentive to the wind of modification

C    G         Dm           G           C     G
Take me to the magic of the instant on a glory night
          Dm            G                  Am     F              G
where the kids of tomorrow share their dreams   with you and me
C    G         Dm           G           C     G
Take me to the magic of the instant on a glory night
          Dm            G             Am  F                  G
where the kids of tomorrow dream away within the wind of modification

Am                       G                         Am
The wind of modification blows straight into the face of your time
                            G                                  C
Like a storm wind that may ring the liberty bell for peace of mind
                   Dm                           E
Let your balalaika sing what my guitar desires to mention

F G Em Am   (x3)
F E

C    G         Dm           G           C     G
Take me to the magic of the instant on a glory night
          Dm            G                  Am     F              G
Where the kids of tomorrow share their dreams   with you and me
C    G         Dm           G           C      G
Take me to the magic of the instant on a glory night
          Dm            G             Am  F                   G
Where the kids of tomorrow dream away within the wind of modification
F Dm F Dm Am Dm

Bob Marley - I Shot The Sheriff

Gm
I shot the sheriff,
Cm                      Gm
but I didn't shoot the deputy.
Gm
I shot the sheriff,
Cm                      Gm
but I didn't shoot the deputy.
Eb    Dm          Gm
All a spherical in my home city
        Eb        Dm       Gm
they´re making an attempt to trace me down.
     Eb               Dm          Gm
They say they require to bring me in guilty
        Eb           Dm     Gm
for the killing of a deputy,
        Eb           Dm7     Gm
for the killing of a deputy.
           Gm
But I say:

I shot the sheriff,
but I swear it had been in selfdefence.
I shot the sheriff,
but I swear it had been in selfdefence.
Sheriff John Brown invariably hated me
for what I don´t recognize.
Ev´ry time that I plant a seed
he said "Kill it before it grow,"
he said "Kill it before it grow."
But I say:

I shot the sheriff,
but I swear it had been in selfdefence.
I shot the sheriff,
but I swear it had been in selfdefence.
Freedom came my means at some point
and I come into being of city.
All of a sudden I see sheriff John Brown,
aiming to shoot me down.
So I shot, I shot him down.
But I say:

I shot the sheriff,
but I didn't shoot the deputy.
I shot the sheriff,
but I didn't shoot the deputy.
Reflexes got the higher of me
and what's to be should be.
Ev´ry day the bucket goes to the well,
but at some point very cheap can drop out,
yes at some point very cheap can drop out.
But I say:420

Animals - The House Of The Rising Sun

There is a house in New Orleans,
They decision it Rising Sun.
And it`s been the ruin of the many a poor boy,
And God, i do know I`m one.
My mother was a tailor
She sewed my new blue jeans
My father was a gambling man
Down in New Orleans.

And the solely factor a gambler wants
Is a suitcase and a trunk.
And the solely time he's glad
Is when he`s down and drunk.

So mother tell your youngsters
Not to do what I actually have done
Spend your lives in sin and misery
In the House of a Rising sun.

Well I`ve got one foot on the platform
The other foot on the train.
I?m going back to New Orleans
To wear that ball and chain.

There is a house in New Orleans,
They decision it Rising Sun.
And it`s been the ruin of the many a poor boy,
And God, i do know I`m one.

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How to Write a Chorus

A song without a chorus can hardly be called a song. This rather bad statement is my personal opinion so if you don’t agree, that’s okay. But I would like to start this lesson with this statement, not only to wake you up, but rather because it’s one of the key-statements of this lesson. So if you don’t like songs without a chorus and never intend to write one, than probably you won’t feel at home in this class this month. I must say I never felt at home when I was at
school but that’s another story... But if you do stick around, even if you don’t like to write choruses, maybe you will change your mind about them.

A chorus is more or less the heart of a song, at least if it’s a good one of course. Why this is true is not as obvious as it seems. People always tend to remember the chorus of a song, while it may not even be the most interesting part of the song at all. The easiest explanation of course
is the fact that the chorus is usually played a couple of times during a song. But if this was the only reason why a chorus is the heart of most songs, how come then that lots of choruses are easily forgotten, even if they are played seemingly endless in the
fadeout of a song? So there must be more to it.

In this lesson we will see it’s hard to reveal the secrets of a good chorus. Writing a good chorus may be more a matter of the heart (something called talent?) than the mind. But since this counts for songwriting in general, don’t be afraid; there are always some tricks to learn to help those who have to struggle a little more then the lucky, more talented ones. And believe me, most of us belong to the first group, to put it stronger, even the most talented ones often join the struggling crowd when they’re not inspired...
In lesson 5, we already saw some elements a good chorus should have. Now we will take a closer look at these elements, by discussing some rules you should follow if you want to write a good chorus. These rules are:

It should be catchy
It should contain elements of the rest of the song

It shouldn’t be an anti-climax
Following these rules, you obey to the most important rules of writing a good chorus. We will take a look at these rules in the next paragraph. You can also click on the links to go directly to the discussion of each of these rules.
 
Rule 1: a chorus should be catchy
What makes a chorus catchy? The easiest answer (for me at least) is: listen to all those golden oldies. Almost all the classics from the sixties and the seventies have catchy choruses. Of course The Beatles were real masters at this, but it seems all the bands that became famous in those days were able to write catchy choruses which seem to stick in your mind forever. Who doesn’t know the chorus of Honky Tonk Women for example...
Listening to examples is a great way to teach yourself, and that counts for songwriting too! But there's something more to say about this issue too.

Keep it simple
One of the main rules in writing a good chorus is to keep it simple. Try to avoid to make the chorus sound complicated.
This doesn’t mean that as long as you keep it simple technically spoken the chorus will sound simple! A chorus built around a difficult, but well written musical part will be easier to listen to than a technically simple chorus which is written in an unlogical manner.

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by: Tamara Williams
are music instruments that are very versatile; most musicians around the entire world use them because they find a guitar to be very easy to play.

They are also the most commonly chosen instrument for a student to start playing their way into music, mostly because it takes very little time to learn how to play it, and of course because it is not rare to be able to find a decent guitar for a very convenient price (unlike other instruments as pianos, for instance).

Today, all music shops offer a very wide variety of guitars, suitable for almost any musician, from beginners to masters. The most popular, however, are these two kinds of guitars: Acoustic guitars and electric 6-strings guitars.

Some very specialized vendors have started selling other classes of guitars; usually adaptations of the classical guitar made by different cultures all around the world. In these vendors’ shops, regular customers (mostly collectors) are able to buy guitars such as the Mexican “guitarron”, a huge guitar used by “Mariachis”, or as the “guitarra criolla”, an Argentinean adaptation of the 6-strigs classical guitar, used by Tango orchestras and also by the famous “gauchos” (the south-american version of cowboys).

Another advantage of guitars is that, once you learned the basics of music composition, you will find it easer to move into more complex instruments, such as violins, and keyboard instruments; which are more difficult to use as the first contact with music practicing.

Beyond all that, the key to guitar’s success (they are the most used musical instrument worldwide, and has been for a very long time) is what matters the most: its sound. The beautiful sound a guitar produces can be compared to the sound produced by instruments that are much more expensive, rare and hard to learn. That is what keeps a good guitar above the rest.

About the author:
Tamara Williams is a successful author and contributor to Guitars which is dedicated to providing useful guitar help, tips, information on products and services for guitar players.